Bones

[OHKO Bunny]

Alright, Fixed.  

[Sindenky]

((ok. Not everything is 100% correct but most you typed extra for so you now know all the techniques you were wanting to learn. add them to your profile and then approach Kemuri.))  

[OHKO Bunny]

Kuro Kaguya
Rain//Genin//Taijutsu

Kuro awoke. His body, still numb from the training, was able to pick himself up off the ground. The Shattered bones and damaged flesh returned to its previous state, yet it was still bruised. He opened the door to the room, calling out names. The Teacher never introduced himself, so Kuro found found the term 'Sensei' was appropriate. He shouted the word down the hall, hoping to be heard.

/Fight Song/Battle Theme>

 

[Sindenky]

((the door is locked))

As bones stirred and attempted to make his way out of the building. Kemuri would approach him. "Good to see your awake. How are you feeling bones?" he asked the small genin, not wanting to put to much on him if he was not ready.  

[OHKO Bunny]

(( I unlocked the door to my room when practicing the unlocking Jutsu XD ))

Kuro Kaguya
Rain//Genin//Taijutsu

Kuro spotted Kemuri and smiled. "I feel like a bag of meat." He said jokingly. He looked upto Kemuri quite a bit, and hoped that he would have an answer for his questions. at the Moment, he had three. His hand clamped around one another and gripped, a bit shy to ask, yet he found himself asking anyway. "Sir...?"

/Fight Song/Battle Theme>

 

[Sindenky]

((not that kind of lock but i understand xD))

The boy seemed nervous. Kemuri could tell he was struggling to get something out. that he wanted to speak but was afraid of how Kemuri may react possibly? "Speak your mind bones. What is it?" he said in a cold tone. The shinobi was not good at gently speaking, but he was trying his best to make the genin feel comfortable.  

[OHKO Bunny]

Kuro Kaguya
Rain//Genin//Taijutsu

Kuro shut his eyes. "Who was... That Girl...?" He looked away before the crimson lids of his eyes peeled open. He asked another question, trying to steer away from the subject. "Where can I learn how to use my special ability? My mother always said the Shika- Shiko-" He paused a moment, trying to remember what his bone manipulation was called. "Bone Thing.. My Mother always said it could do great things."

/Fight Song/Battle Theme>

 

[Sindenky]

There were only three girls in the village, and it was clear who he was talking to for he had never seen two of them. "The girl is a Medical Genin by the name Sabia Hyaka, Codename Flower. Why do you ask about her?" Kemuri said nearly ignoring the second question. He knew how hormones were, and how these kids would feel bout each other, and having only one girl meant she would be getting a lot of attention. The shinobi could not help but wonder how many times he would be asked her name.  

[OHKO Bunny]

Kuro Kaguya
Rain//Genin//Taijutsu

Kuro looked down and shook her head, for a short time, ignoring Kemuri's question. He eventually looked back upto him and smiled. "Its nothing." Kuro was mostly trying to convince himself rather than Kumori. He didn't know her, but she spoke to him. Nobody else did. Suffice to say, Kuro's circle of friends was limited as he wasn't the kind of person to insert himself into others social lives. He was however a bit saddened that Kemuri had chosen to answer that one rather than the other.

/Fight Song/Battle Theme>

 

[Sindenky]

"If that is the case. Here." he said tossing the boy a small bone. With more inspection ot would be discovered that the bone was a scroll, and listed the boys dancin techniques.

Quote:

Kaguya Clan Jutsu

-----------------------------------------------------------------------------------------

Karamatsu no Mai (Dance of the Larch)
Description: Karamatsu no Mai is a form of Taijutsu developed by Kimimaro to take advantage of his cursed seal and bloodline ability. It is the third of five dance forms. After activating the level one cursed seal form, Kimimaro will begin to extend multiple bones from his body. Both from his rib cage and his radius and ulna. Because they are hard as steel, these bones can act as a strong defensive mechanism against incoming strikes. Due to this they will also serve as an offensive attack to allow Kimimaro to move with little effort to impale his opponent.

Sawarabi no Mai (Dance of the Young Ferns)
Description: Sawarabi no Mai is the fifth of five dance forms. After activating the level two cursed seal form, Kimimaro quickly grows a multitude of tall spikes from his body to create a large forest of bone. While in this form he himself can merge into the bone trees to attack his target from whichever spike he wants.

Teshi Sendan (Ten Finger Drilling Bullets)
Description: Using the bloodline's unique Shikotsu Myaku (Corpse Bone Pathways) ability, the clan member will use their fingers to fire distal phalange bones as bullets. As the bones fly through the air, they will rotate and drill into their target once they make contact.

Tessenka no Mai (Dance of the Clematis)
Description: Tessenka no Mai is a form of Taijutsu developed by Kimimaro to take advantage of his cursed seal and bloodline ability. It is the fourth of five dance forms. He performs it after activating his level two cursed seal form.

Tessenka no Mai: Hana (Dance of the Clematis: Flower)
Description: Using this dance, the user will also form a large flowering bone spear which they can also use to pierce any shield the opponent raises. The spear is said to be nearly indestructible.

Tessenka no Mai: Tsuru (Dance of the Clematis: Vine)
Description: The user will remove their spinal column from their back to create a flexible bone vine. Because the vine is flexible, it can wrap itself around an opponent to rip them to pieces.

Tsubaki no Mai (Dance of the Camellia)
Description: It is the second of five dance forms. Using the ability to manipulate their bone structure, the clan member will remove a long bone in the form of a sword from their shoulder. Because of the bloodline, the density of the bone can be increased many times so that it is as hard as steel. Using fluid and precise movements, they will then cut through any opponent within striking distance.

Yanagi no Mai (Dance of the Willows)
Description: It is the first of five dance forms. Using the ability to manipulate their bone structure, the clan member will grow and extend a forearm bone through the palm of their hand to form a stabbing instrument. Using fluid and precise movements, they will then impale opponents.

 

[OHKO Bunny]

Kuro Kaguya
Rain//Genin//Taijutsu

Catching the bone, his face quickly formed an exited look. "How did you get this!?" He practically yelled. He didn't know if Kemuri was like him or not. Kuro couldn't find any scrolls like this in the library either.

/Fight Song/Battle Theme>

(( what Rank? Or are bloodlines different when I go to learn them? ))  

[Sindenky]

((i wish i knew what ran they are but for Kagoya thats what they have >.> Make it Generalized, type 4 posts each kay?))

Kemuri let a small smile escape his lips, "As i said. You help the village, and the village will help you. now get to training." he said as he leaned against the wall.  

[OHKO Bunny]

(( Four each, got it. ))

Kuro Kaguya
Rain//Genin//Taijutsu

He pulled open his scroll and skimmed it. The entire thing had teachings of many techniques that belong to the fabled Kaguya. He decided to start with Dance of Willows.
1/4 (Dance of the Willows)

Thrusting two opened palms forward, he concentrated on manipulating his bone into blades. Slowly but surely, a small spike, or rather it's point had poked from either of Kuro's palms
2/4 (Dance of the Willows)

His hands began to shake, and for the most part only about an inch of blade had run out of Kuro's hand. He focused harder, trying to slide the blade out of his hand.
3/4 (Dance of the Willows)

As if by sheer willpower, the blade had staggered a bit further out of Kuro's palm, but only did so about another inch. It had seemed, relaxing the muscle was key in this, as when he had done so the blade had piked right out of his hands and achieved the length of a whole twelve inches. Now that the blade was out, he could swing it carefully. Each movement seemed to flow like the wind and Kuro controlled the blade as if it was an extension of his body, which sadly for any opponent, it was.
4/4 Yanagi no Mai (Dance of the Willows)

The two long blades sucked into Kuro's palms and again, Kuro peeked at his Family's scroll. The next form to learn was Tsubaki no Mai, the Dance of the Camellia. He memorized the instructions and hunched over, takeing a stance similar to that of the one he used with Tajutsu.
1/4 Tsubaki no Mai (Dance of the Camellia)

He hunched at a rather strange stance. Crouched slightly, his knees bent facing forward while his right shoulder was prodded forward, the muscle around the collar tensed up and a bump had formed under his skin. With time, the bump grew out more and more.
2/4 Tsubaki no Mai (Dance of the Camellia)

The bump slowly grew into an open wound, a bone about an inch wide had torn out of Kuro's right shoulder. His left hand coiled around it, his thumb pressed against his collar as his fingers clenched around the bone and prepared.
3/4 Tsubaki no Mai (Dance of the Camellia)

With a single mighty pull, Kuro had torn the bone from his shoulder, the wound sealing instantly after the three foot blade was pulled. Although it looked weak and brittle, it was actually sharp enough to cleave through armor, assuming the arm swinging it had the power to back up. In comparison, it was as sharp as any high-grade sword.
4/4 Tsubaki no Mai (Dance of the Camellia)

He shoved the sword into the floor before Kamuri, giving it to him as a thanks for bringing the scroll. He consulted said scroll for the next move on the list, Tessenka no Mai Tsuru, the Dance of the Clematis Vine. This move was a weapon jutsu, like the last only it created a whip instead of a blade.
1/4 Tessenka no Mai: Tsuru (Dance of the Clematis: Vine)

He stood tall, gyrating his shoulder blades in order to relax his muscles. Once they weren't overly tense, he bobbed his head forward, exposing another inch wide bone coming out of the top of Kuro's spine.
2/4 Tessenka no Mai: Tsuru (Dance of the Clematis: Vine)

He tilted his head to the side so his left hand could get at it. His fingers wrapped around the bone like the hilt of a sword and tugged at it twice. This one was in there good, and would require more than a slight pull to dislodge.
3/4 Tessenka no Mai: Tsuru (Dance of the Clematis: Vine)

He grinned, his hand increasing it's grip before he tore the bone from his spine. Just like with the sword, the would had closed after the bone was gone. Upon this bone's removal, a clear liquid began drip from the open end of the Whip-like creation. He dropped it to the floor, ready for the next move.
4/4 Tessenka no Mai: Tsuru (Dance of the Clematis: Vine)

The Next Jutsu on the scroll was different. Rather than making a new bone in Kuro's body, the Tessenka no Mai Hana, Dance of the Clematis Flower had required Kuro to make a bone on the outside of his body. After reading the scroll, Kuro looked at the floor to the right of him.
1/4 Tessenka no Mai: Hana (Dance of the Clematis: Flower)

He focused on the floor, but nothing happened. It was allot harder to make bones on the outside of his body as it required him to make bone by fusing objects with his chakra. The chakra would mold bones for him, but it was still difficult.
2/4 Tessenka no Mai: Hana (Dance of the Clematis: Flower)

His eyes widened as he focused. It was the initial creation of the bone that was difficult, as his Chakra at this point was still recovering from the previous exhaustion. He tried relaxing, and somehow he managed to perform better.
3/4 Tessenka no Mai: Hana (Dance of the Clematis: Flower)

With a monstrous Crash, a white spear struck through the floor where Kuro was looking. It cut through so easy, it was like the floor was paper, and now a six foot pike was jutting from the floor. The point of which looked painful to even think about.
4/4 Tessenka no Mai: Hana (Dance of the Clematis: Flower)

The next to last move on the scroll was perhaps the most interesting. A move that fired bullets from the Kaguya's fingertips. Kuro read over the instructions several times before attempting the Jutsu. Once he was ready, he looked up.
1/4 Teshi Sendan (Ten Finger Drilling Bullets)

Placeing the scroll on the floor, he proceeded to clap his hands together, pointing all his fingers at the wall in front of him. His fingers relaxed, and not even a twitch could be seen as Kuro held up all ten of his digits. Each long finger was pale in color, but retained barely any wrinkles of age.
2/4 Teshi Sendan (Ten Finger Drilling Bullets)

His fingers were still, and it seemed the next few moments were spent focusing on aim, rather than the initial move. It wasn't until he bit his bottom lip that the tips of his fingers began to grow tiny bumps that pressed so tight against the skin that the appeared more like claws.
3/4 Teshi Sendan (Ten Finger Drilling Bullets)

The Bumps broke the skin, and Kuro's eyelids tore open. The muscles of his face formed a playfull grin as ten perfectly sized bullets fired from his fingertips in perfect sync. Each of the bullets twisted in mid air, giving them a drill effect when they had hit the wall and went right through it.
4/4 Teshi Sendan (Ten Finger Drilling Bullets)

Kuro picked up the scroll and slid it open. The last of the Jutsu, Karamatsu no Mai, the Dance of the Larch seemed the most difficult. He read the directions over five times. Each of which were spent memorizing every idle factor required.
1/4 Karamatsu no Mai (Dance of the Larch)

Just like every other time, Kuro relaxed his muscles only this time he stood still, opening his arms slowly until his hands were extended to the sides and level with his ribs. He hung his head back and closed his eyes to help focus. He swear he could feel his controll spread to every inch of his body.
2/4 Karamatsu no Mai (Dance of the Larch)

The first bones to spike from his body were on his elbow. Quick as a bullet, a curved white spike pierced the skin and had done so on either side of his elbow. ( Ulna )
3/4 Karamatsu no Mai (Dance of the Larch)

Without even a fair warning, The same matter of spikes erupted from Kuro's chest from his ribs. Each spike was as sharp as the sword he had previously created. Aside from being dangerous as a weapon, the super dense mess of spikes that protruded from Kuro were harder than steel, offering a great tolerance to most styles of damage. Mastering his bloodline was only the first step. Now that he had the tools, he could go and create his own way of using the Shikotsu Myaku, bloodline of the Kaguya.
4/4 Karamatsu no Mai (Dance of the Larch)

Now that he had mastered his bloodline and learned the name of the girl he was curios about, Kuro could ask his final question. One he hoped resulted in a praise for his determination. Each Ivory colored bone retracted into the Young Genin as he looked into Kemuri's eyes, and with a sly smile he asked: "What will you have me do next, Sensei?"

/Fight Song/Battle Theme>

 

[OHKO Bunny]

(( Speaking off which, how do I make my own Jutsu? ))  

[Sindenky]

"What do you think you should do?" he asked the genin.

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