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Posted: Sun Feb 15, 2015 8:10 pm
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Posted: Sun Feb 15, 2015 9:34 pm
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(Rosie - Dith)
Rosie accepted the hug from her giant friend, squeezing him tightly for a few seconds before they moved apart once again. "I was interested when I heard, but Rodney was so excited about it that it kind of gave me the push to this decision" She explained with a smile, glancing over in the direction of the cousin who was leaning over a display, adjusting his glasses as he read over the text.
When the tools were pointed out by Dith, and the man gave a brief explanation as to the belifes the Kodoan's had on the tool explained, Rosie and Northern learned forward, Rosie with a keener interest, reaching up to pull her hair from falling into her face so she could identify the carvings on the tools better, blue eyes widening in something of surprise. "So- They seemed to have had a pretty good understanding of pokemon then?" She tilted her head back up to Look back at Dith.
Northern however, just looked confused "Does it work like that?" She asked "Does that help?"
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Posted: Mon Feb 16, 2015 8:32 am
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( Adam | Site Reconstruction - Kadota )
Busted. Adam smiled politely and tucked the phone away, "Sorry Ma'am. I'll keep that in mind." Writing was difficult to explain in words, but the rest Adam imagined he could chat about casually. Especially if he grabbed a program.
Meandering away from the writing exhibit, he heard an oddly familiar deep voice. Who was that...? Frowning to himself, he wove between the crowd of observers before making it to the Site Reconstruction.
That dude! Adam grinned and clapped Kadota on the back, "Yo! Long time no see. Remember me?" Chances were he didn't, they met so briefly. Still, Adam longed for some company, "Pretty cool s**t, isn't it? The writing is amazing... Woah, this is the village? How did they figure any of this out?" Adam mused aloud, now reading the information on the plaque.
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Eco-friendly Shapeshifter
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Posted: Mon Feb 16, 2015 9:04 am
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The familiar clap on the back was met with an immediate smile. If there was one thing Kadota was good about, it was faces, and Adam was distinctive as heck anyway. "Hey, yeah, I remember you. Adam, right? Where've you been for the past few weeks?" He hadn't seen the other guy in the trainer center lately.
"I don't know how they figured out the writing or any of that, but this stuff isn't too hard. Less technology means you gotta work with what you have. So it's pretty easy to figure out they'd put all their farming close to the water and on the south side for more sun. Then you tuck the houses up into the ridgeline so that they stay more temperate. Less sunlight, so less heat, and less exposure to the cold." Some of the bigger homes had even been built into the side of the mountain.
"What's got me interested is this piece here," he pointed at a large half-bowl shaped depression, situated between the farm plots and the rest of the village. "Looks like they had some sort of amphitheater or something, but it isn't labeled."
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Posted: Mon Feb 16, 2015 9:14 am
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( Adam | Site Reconstruction - Kadota )
"'s right! You're... Kadota. Dota." Adam beamed, pleased to be remembered, "Oh, been busy. Life and s**t, y'know?" Dating a cute guy, trying to make sure his roommate/best friend didn't get killed... You know. Life. Adam listened to Kadota's explanation with open admiration.
"Damn, you're smart. I've never thought about this s**t, so it's all confusing as hell." Adam repeated what the other had said, trying to commit it to memory, "I'm sure he'll get it, though, even if I screw stuff up."
An indentation? Adam nodded slowly, "Weird. Why would they leave it out of the explanation? Do they think it's unimportant or maybe they don't know?" Leaning in closer, he squinted at the picture, hoping it would make more sense with a closer angle. Unsurprisingly, it did not.
"You know, the writing part says that they put all their stuff in terracotta pots and were found in a place of religious significance." Adam leaned back and shrugged, "Maybe that was where it was housed?
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Eco-friendly Shapeshifter
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Posted: Mon Feb 16, 2015 10:13 am
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Posted: Mon Feb 16, 2015 10:48 am
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Posted: Mon Feb 16, 2015 2:07 pm
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Posted: Mon Feb 16, 2015 2:26 pm
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Posted: Mon Feb 16, 2015 4:03 pm
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Posted: Mon Feb 16, 2015 4:03 pm
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Posted: Mon Feb 16, 2015 4:45 pm
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Posted: Mon Feb 16, 2015 4:57 pm
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Posted: Mon Feb 16, 2015 5:03 pm
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At the time that the lecture was scheduled to start, one side of the annex's double doors was shut so that a sign could be placed upon it: Presentation in progress. Within the auditorium, a short, stout woman moved to the podium at the front, adjusted her glasses, and straightened a few papers. She then spoke, her voice easily carrying throughout the room, "Welcome, and thank you for joining us today. My name is Caroline Walsh, and I'm the curator of the Jinko Regional Natural History Museum. It's not infrequently that Kodo's archaeological teams find and donate intriguing items to our collection, for example fossilized pokemon or unusual crystal formations, but on rare occasions, they find something truly special - something like what's brought you all here today, the pieces from our exhibit, 'Unlike Blood.' With our knowledge of the history of pottery and language in Kodo as well as modern dating techniques, we were able to trace the items back to the 15th century. This is consistent with what we already know about indigenous civilization in Kodo."
With a quiet hum, the projector whirred to life, illuminating the screen as the theater's lights quickly but smoothly dimmed. A large picture of the archaeological site, artistically rendered to show how it would have looked when the community was in its prime, was displayed, and the woman turned partially to guide the audience's attention to it. "Using this information, we were able to create a visualization of what the space once looked like. As with most post-archaic Kodoan architecture, the buildings are primarily wooden - the archaeological team also discovered evidence of this. One building, however, incorporated stone bricks in its construction, which is notably unusual for architecture produced by this culture."
The projector clicked softly, and the image on the screen changed to show an array of tools and utensils, many of which were displayed in the exhibit in the other room. "Something else of note is that this community, like some others that have been discovered in the past, used tools that are primarily benign in nature: mortars and pestles, crude kitchenware, agricultural tools, and so on. Interestingly enough, not a single weapon or hunting tool was found at the site. The most popular theory as to why this is is that these Kodoans relied on pokemon for self-protection and for hunting. However, this site in particular lends much credibility to an alternate theory: that many Kodoans had a primarily, if not entirely, vegetarian diet." The projector proceeded to an image of the site as it was before the excavation began, and the curator used a laser pointer to emphasize certain areas, "As you can see, a great deal of the vegetation in this place is edible, including a variety of berry trees and vegetables. In fact, before the archaeological team began its study, the area was overgrown with them. It may be that these Kodoans kept a diet that completely excluded pokemon."
The next image to be displayed was of a collection of parchment like those in the exhibit, laid out and photographed with a care that allowed their contents to be seen more easily than the curling originals they had as a part of the collection. "As you may have noticed," the woman continued, indicating the words with her laser pointer, "even the writing on the parchment is done with a dye created from berries. These parchments were found sealed inside terra cotta pots like those on display, which kept them preserved all this time. The jars themselves were clustered in one area of the site: in the place where the building reinforced with stone once stood. Also within the area were pieces of jewelry and artifacts that we know to have spiritual connotations, for example the Wartortle totem, which was used by a community's holy man to ask for rain. Given the evidence, we can safely assume that the partially stone building was one of importance, most likely a spiritual building such as a shrine of some kind. Thus, we could also conclude that these papers are of spiritual significance, and upon translating them, we found that to be true.
"This series in particular," the curator continued, "tells a story: One day, a huge, pure white Rapidash came to them seeking refuge after suffering a grievous injury. Awed and honored by the presence of the Rapidash and humbled by its request, the Kodoans gave it sanctuary and care, treating it kindly until its wounds had healed. When it recovered, the Rapidash was so grateful that it blessed them with a gift that would better their ability to commune with pokemon. This myth explains why so much post-archaic Kodoan writing refers to pokemon as 'unlike blood,' the name we chose for this exhibit. Enabled to work together with pokemon, they came to think of them as equals, thinking of them essentially as humans in a different form, or 'same of mind with unlike blood.' Not only does this further our understanding of early Kodoan mythology, it also gives us an idea of how the people of this region first began to form relationships with pokemon."
The projector moved on to another image, this one the illustration of Arceus. "As you can see," the woman said, folding her hands at her waist, "the pokemon that the Kodoans encountered was by no stretch of the imagination a white Rapidash. Rather, it was the legendary pokemon Arceus, thought of in many regions as the original creator of this world. The fact that these people were able to capture Arceus's likeness so clearly suggests that the pokemon must have indeed come to them. One theory submits that Arceus, like some other legendary pokemon, was able to speak to the humans in their own language, and the experience left the Kodoans with a new opinion of the innate humanity of pokemon. Another more radical theory posits that Arceus literally gave people the ability to understand pokemon in the same way that pokemon understand us. This theory is much more far-fetched, though its supporters propose that this may be the origin of the extremely rare ability to understand pokemon that some special individuals occasionally demonstrate."
The curator paused to change the image on the projector, next displaying a map drawn in the same style as the other post-archaic works. Rather than a traditional map of the entire region, however, the parchment showed only three areas clustered together. "Kodo's archaeologists are hoping to learn more about this matter by investigating this map, discovered in the same jars as the other pieces. We know from these symbols," she pointed out the glyphs in question, "that the areas pictured here are the mountains, the shore, and the plains. Incidentally, these locations coincide with sites where other early Kodoan artifacts have been found in the past. The archaeologists currently studying this map hypothesize that these locations indicate other communities where the story of the 'white Rapidash' was passed on, thus spreading the concept of partnership with pokemon throughout the region.
"Naturally, if there are more of these terra cotta pots elsewhere in the region, it will be no simple matter to locate them; archaeologists have already discovered just about everything that could be found easily. Because of this, we feel it's safe to rule out the area around the Calamus Plains - the wooden architecture wouldn't stand a chance with the storms that have battered that area for the last few centuries, and in all likelihood, anything of value has already been washed away or destroyed beyond recognition. The northern shore, however," she gestured to the place in question with the laser pointer, "is much more promising, as coastal erosion may have washed important artifacts into the ocean, where they would then be preserved by the seawater. If this is the case, though, it does not bode well for the discovery of more parchments, as they would inevitably have been destroyed."
With a quiet click, the image displayed on the screen disappeared, the projector grew silent, and the room's lights gradually increased to their original brightness. "We're extremely excited to learn more about this spectacular development in our understanding of Kodo and its history, and I'm sure many of you share that feeling. It's my hope that the exhibit 'Unlike Blood' and this presentation have kindled your interest and curiosity about the history, mythology, and culture of our region. At this time, I'll be accepting any questions you might have."
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