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Posted: Tue Apr 17, 2012 5:37 pm
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Changing Facesaka Face pompous | dramatic | blusteryChanging Faces, as he dearly loves to tell people, did not invent drama. He only invented the finest drama. His elaborate productions (all starring himself naturally) utilized the finest desert talents with the sharpest memories and the most lovely voices: intricate choral arrangements re-enacting love stories and ballads. Having come to the Swamp, Face has now learned of the Black Dog saga and intends to turn his talents towards dramatizing it by the next big festival, and is actively recruiting singers, dancers, and performers. He himself, naturally and rather absurdly, will fill the role of the protagonist.
Off the stage, Face is paternal and insufferably inflated. He means well, though, and is harmless enough beyond his own ego.
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Posted: Tue Apr 17, 2012 5:42 pm
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Posted: Wed May 23, 2012 5:30 pm
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Shoutangry | uncontrollable | brokenNo one is entirely sure what it is that is wrong with Shout. Between her episodes she is peaceful, obedient—even jovial. But these calm times are few and far between, and can be removed by even the tiniest trigger, sending Shout into a screaming, sobbing, shaking rage. She is violent, even vicious, but she is never cruel—cruelty implies a level of focus and thought that cannot be ascribed to her fury. Several times she has been threatened with expulsion from the Tidewalkers, and truth told, some question why this has not yet come to pass. Surely she is more destructive than she is helpful. But somewhere under there it is obvious that Shout is ashamed of her anger, and wishes it would shake loose its hold over her.
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Posted: Wed May 23, 2012 5:35 pm
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Unquiet Thingsaka Unquiet depressive | hedonistic | philosophical“Life is cruel.” No one knows it better than this doe, whose misery is born of chronic pain and the certainty that, as lore sometimes says, dreams are as real as waking life: and she is a creature prone to nightmares. If the horrific monsters and creeping cruelties of her dreams are as real as her aching body, she feels no reverence for this life. She drowns herself in what pleasures she can seek, moving destructively from one hedonistic pursuit to another, dancing, singing, imbibing, and loving—and brooding, mourning, and thinking--until the day that the dark things rise out of the shadows and drag her beneath, sucking air from her lungs, whispering insults in her ear, and delivering her mercifully from the hardships of this awful place. We are one with the mire in the end, and the mire feels no pain.
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Posted: Thu Nov 08, 2012 10:01 pm
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Posted: Thu Nov 08, 2012 10:04 pm
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Posted: Thu Nov 08, 2012 10:10 pm
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